Presenting Jardan’s new retail brochure

Title: Jardan. Made for life – retail brochure
Agency: Seesaw
Stocks: Grange Offset
Printing specs: Digitally printed.
Printed by: McKellar Renown Press (VIC).

Seesaw recently designed Jardan’s new retail brochure and it’s a stunner. Featuring their latest range of gorgeous modern furniture and homewares, we know what we’ll be asking Santa for Christmas!

If you have been to one of Jardan’s showrooms, you want to touch and feel everything, it is definitely an experience for the senses. The retail brochure was designed as a tactile printed piece for Jardan’s customers and clients. Sort of like bringing the showroom straight into their hands. Featuring Grange Offset 135gsm cover and 110gsm for the text, the natural, uncoated paper ties in nicely with Jardan’s colour palette. Grange Offset also comes with a stack of environmental credentials that echo the strong sustainability values that are so integral to the Jardan brand.

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In collaboration with the Jardan team and extended creative family, the much loved Australian brand has a refreshed new identity that captures the heart and soul crafted into every irresistible Jardan piece. Seesaw explains: “The interlocking ‘J’ logo mark is reminiscent of an interlocking heart with the woven fabric inspired forms that create the ultimate Jardan seal of quality. It is a mark that encompasses the developed positioning statement – Jardan. Made for life. We are thrilled with the result, as are our clients.”

If you want to get your paws on a beautiful Jardan brochure, they’re now available in their showrooms across Australia.

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Tacky is now ready for Dry Toner printing

Title: Tacky Dry A5 promotion
Agency: Andy Ashton, Work Art Life (VIC).
Stocks: Crystal Cling, White Repositionable, White Super Permanent, Super Tuff Poly (double sided, non adhesive product). Envelope printed on Sovereign A2 Digital – Gloss.
Printing specs: Digitally printed on a Kodak NexPress.
Printed by: The Tennyson Group (QLD).

The newest addition to our Doggett Digital range is Tacky Dry, a range of unique polyester products certified for use on all popular dry toner machines (only). Durable, tear, resistant and waterproof, the products run great, print great and have excellent toner adhesion. We don’t need to say too much more really.

Andy Ashton has produced another set of winning tacky images to continue the Tacky (for Indigo machines) story. The porcelain flamingo with the doilies is almost tacky chic. Did we just say that?

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White super permanent: A high quality decal solution for projects requiring a permanent fix. Available in white only.

Applications: appliance labels, warehouse external signage, construction dumpsters, freezer labels, water heater labels etc.

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Crystal Cling: Non adhesive cling used for interior and exterior applications. No solvents are needed for fixing or removal. It’s a true clear cling making it great for window applications.

Applications: shop specials, car window stickers, in store advertising, changeable window graphics eg stained glass look, fire safety signs, operating hours signs etc.

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White Repositionable: A great alternative to vinyl because it won’t stretch when removed from the surface and will keep its shape even when reapplied. The face stock is a woven polyester fabric material, which is water, tear and UV resistant. The removable adhesive will not only stick to virtually any surface, it’s also repositionable, so it can easily be moved again and again. It’s like a magnet, but better, because you’re not limited to just metal surfaces. Painted walls, wood cabinets, glass and metal are all approved surfaces.

Applications: counter mats, custom educational products, employee of the month wall posters, event door and wall signs, interior car labels, laptop skins, magnets, hallway decorations etc.

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Super Tuff Poly: This is a unique product because it’s tough but soft and is double sided. It has the positive characteristics of both polyester and paper. It is water and tear resistant and has the excellent durability plus its feeds, prints and handles print finishing processes like paper does. It even folds cleanly, which is really unique compared to other digital synthetic sheets.

Applications: Airline and hospital tray liners, boat manuals, book covers, bookmarks, maps, children books, coasters, construction plans, golf scorecards, heating and cooling tags, hiking luggage tags, maps, menus, place mats, racing bibs, tab dividers, tags, tape measures, tree tags, wristbands.

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Stop, collaborate and listen, by The Hungry Workshop

A key component to creating outstanding work stems from clear communication between you and your supplier.

You’ve spent hours inspecting every detail. Polishing each pixel and picking the perfect colours. The design is complete and the client has signed it off. They’re tickled pink with the work you’ve done so far and now it’s time to turn your design into physical and functional expressions of their brand. There’s a deadline on the horizon and you’re about to release your work into the wild.

So what’s next? Here are five helpful tips to make sure you get a great result.

Do your homework
Find out how your tools interface with the tools of your supplier. Before you send off your work, do your best to gain a reasonable overview of how your supplier gets their work done. By understanding what happens with your PDF after it hits their inbox and before it rolls off the production line, you’ll be better equipped to not only avoid common pitfalls, you’ll also be more able to design in a way that produces results unique to that medium.

Ask questions
The only stupid question is the one left unasked. In a collaborative effort, this goes both ways. Be prepared to ask any and all questions you have about the project, and expect your supplier to fire a few back too. If they aren’t seeking a deeper insight into your work, they are not interested and they are not a collaborator.

Tell them what your expectations are
Clearly specify what you’re after, both in a physical sense (size, shape, colour, texture, quantity, quality) but also in a way that communicates the overall objectives of your brief. A good supplier will respond to all the information you give them.

From there – you should be able to get a reasonably accurate estimate for your project.

Visit your supplier
Shaking hands with the people that produce your work has immense value. Just like working with your client, you need to be able to trust and understand the people that you’re handing your baby (design) to. Bring your client if you can.

You’ll want to make a minimum of one visit, but two is better: before and/or during production. If you can take a look at the production process beforehand, you’ll be able to see the materials in the flesh, and pick up a slew of samples. If you can iron out the kinks before you begin, you might not need to visit during production.

Be prepared with a list of questions and a keen ear.

Keep designing
All the back and forth, questions and discussions over the project will be worth nothing if they aren’t actioned. Make sure you understand the responses to your questions. You may need to redesign your work to fit within the production methods and the production methods may need to be rethought to achieve the design.

Image by Magdalena Ksiezak

About Simon Hipgrave – he’s the co-founder of The Hungry Workshop, a design and letterpress studio in Northcote, Victoria.

Dear Plastic

Incu is well known for its selective fashion brands and generally cool threads. And their window displays are quite memorable too. We saw this post on their website recently about their recent collaboration with Dear Plastic aka Yumi and Taka, a husband and wife duo who are enviably talented. During September, the men’s QV store in Melbourne featured an installation called ‘Our Cosmos’. Their colourful cosmos was created with hand made POMs and paper crystals. You can check out more about the dynamic duo in their interview with Incu here and via their website www.dearplastic.com. They’ll be featured in Craft Victoria’s pop-up at the Melbourne Town Hall so look out for them there.

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Buffalo Board recipe cards promotion

Title: Buffalo Board recipe cards promotion
Agency: Recipe cards – Seesaw (VIC). Notepads – K.W.Doggett Fine Paper.
Stocks: Recipe cards – Buffalo BoardKaskad Kingfisher Blue and Kaskad Fantail Orange. Notepads – Buffalo Kraft, Buffalo BoardGrange Tints Old Gold and Tablex Tints Salmon.
Printing specs: Recipe cards – Offset and digitally printed. Notepads – Debossed.
Printed by: Recipe cards – Bambra (VIC). Notepads – E.H. Stationers (VIC).

We have a fun, new and exciting Buffalo Board recipe cards promotion for you to feast your eyes on. The cards are a follow up to our previous promo in 2011. You may remember five recipe cards featuring mouth watering buffalo mozzarella dishes? Visit the post here. This latest set of colourful cards were designed by Seesaw and feature simple illustrative graphics that highlight the recipe’s ingredients. To showcase just how versatile Buffalo can be, Seesaw went to town with embellishments and we printed one card offset and the other digital. The recipes were kindly supplied by chef Maurizio Terzini, owner of popular Italian Restaurant Da’Orazio and the famous Icebergs Restaurant in Bondi.

The offset card is printed CMYK on Buffalo Board 283gsm with three foils ie Clear, White and Milford Astor GFE123 Dark Green for some extra bling. The digital card was printed HP Indigo CMYK on Buffalo Board 283gsm plus Opaque White Ink and duplexed to Kaskad Kingfisher Blue 270gsm with Opaque White Ink (two hits) phew! To wrap them all up nice and neat we added a belly band in Kaskad Fantail Orange 100gsm.

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Buffalo Board is a low density, high yield product. It’s an uncoated, moisture-resistant folding carton board that is cost effective, has a verifiably low bacteria content compared to many other paperboard products and outstanding strength and durability. Buffalo Board is also available in 386gsm/711ums and is also used for health, beauty, fashion and beverage applications. It’s made from natural kraft fibres that are responsibly sourced and fully recyclable and is carbon neutral (measured exit mill gate).

Printing tips
Buffalo Board is suitable for all kinds of jobs. Think offset, digital and letterpress printing as well as embellishments like foil and screen printing. The natural kraft paper looks great with some white ink (consider two-three hits for offset and two hits for digital). If you want your CMYK colours to really pop, apply a white ink base first then a layer of CMYK over the top. This provides a surface for which the colour can sit up on, resulting in a brighter finish. You might like to do a combination of both like we did for the recipe cards (colours with and without a white base) to achieve a variety of printed effects. It comes up a treat!

It’s no secret we have a thing for bling, but kraft could be a close second. So we’ve also produced a set of A5 notepads as a gift for our customers. They come with three different spine colours – natural ie Buffalo Board, as well as Grange Tints Old Gold 80gsm and Tablex Tints Salmon 150gsm. All have a subtle K.W.Doggett Fine Paper debossed logo on them. It’s also perforated along the spine for writing down quick and easy tear-away ideas.

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If you have any specific packaging related questions, please call our John Alipan, Packaging Business Development Manager  (National) on 0434 692 446 or jalipan@kwdoggett.com.au and for all the Syndey-siders, contact Chris Churchward on 0488 440 131 or cchurchward@kwdoggett.com.au

Our paper specialists and account managers are coming around to see you soon with your own copy. Enjoy!

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Curious Collection A5 promo

Title: Curious Collection A5 promo
Agency: Three60 (VIC). Photography by Justin Cooper. 
Stocks: Skin Curious Collection, Skin Curious Collection Digital, Curious Metallics
Printing specs: Digitally printed plus embellishments
Printed by: Foiled cards: Apex Goldstamping (VIC). NexPress Gold and belly band: Impact Digital (VIC). HP Indigo card: Clarke Murphy Print (NSW). Spot UV: Avon Graphics (VIC).

Our new promo showcases a stunning set of images on Skin Curious Collection and Curious Metallics. The images complement the Skin campaign from 2013. You may remember the original promotion with the haunting images of a man covered in a kaleidoscope of coloured paint. If not, visit the story here.

The shots are the hero, then there’s the paper and the awesome art direction from Three60 which means we got to collaborate on another exciting campaign. As Dellano shared with us: “Our concept explored the notion of regeneration. Our idea was to find a way to express shedding the old to make way for the new [imagery]. Like a snake putting on its new suit, we treated the image to look like the paper surface was the outer layer, slowly peeling and cracking away to reveal a shiny new surface that lies beneath.”

To give this year’s images just as much love, we used a mix of papers. After playing around with the stocks we discovered the suite of complementary colours in the Metallics and Skin ranges. We wanted something paired back, sophisticated and shades that worked well with the designs. Often, people use Curious Metallics for wedding invites but we had hoped that mixing up some of the stocks would show the kind of results you can get. So a bit more of a sophisticated colour palette with a dash of sparkle.

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Check out the detail in those foiled images. Crazy. Critical to being able to achieve this result was the capacity to transform a full tonal range into a bitmap image which could be foiled. As Dellano further explains: “This was largely a process of knowing exactly what we wanted the end result to look like. We worked closely with our photographer to ensure our model would be lit appropriately to allow the tonal shift we needed in post production, without compromising the quality of light rendered once the image was converted to a bitmap format. However, no matter how much planning goes into creating these images, there is always a healthy amount of trial and error when it comes down to the final stages of tweaking in Photoshop.”

The Skin Stone and Curious Metallics Nude cards are a great example of having the embellishment really complement the stock while showcasing the design. We ran the cards through twice, same image, which resulted in a more solid look and a shinier finish. It was ok with one hit as well but we decided to go with two. The pressure was the same second run. The detail in the artwork also made a difference, as did the person making the plate. True craftsmen/women.

The dark blue card features a rad print technique called NexPress Gold. We recently wrote an article about it. If and when a silver version gets released we’re sure it will be just as popular. It only takes one hit of the Gold Dry Ink to get this effect. We did have to consider the FSC logo but and the very small font size but it all turned out aok.

Curious Collection papers are suitable for all kinds of jobs. Think offset, digital and letterpress printing as well as embellishments like foil and screen printing. The darker Skin colours look great with some white ink and the lighter colours in both ranges come up really well with CMYK printing. Applications include menus, luxury packaging, invitations, fashion labels, presentation folders, covers for publications and business cards. Both ranges are exclusive to us, the fine paper people and can be enjoyed by you, anytime you want some tactility in your life.

Stocks/specs:
Card one: Skin Dark Blue 270gsm, UV spot gloss varnish (front), Dry Toner NexPress Gold Dry Ink (back).
Card two: Skin Stone 270gsm, Milford Astor Gloss Black Foil.
Card three: Skin Digital Extra White 270gsm, HP Indigo CMYK.
Card four: Curious Metallics Nude 300gsm, Milford Astor Pink/Copper foil.
Belly band: Curious Metallics Cognac 120gsm, Dry Toner CMYK.

Our paper specialists and account managers are coming around to see you soon with your own copy. Enjoy!

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Mr Porter features five NYC pooches and their owners

There’s no secret that we love dogs (we tried loving cats but it’s just not the same). We came across this awesome story on Mr Porter about five stylish New York men and their stylish pooches, so we couldn’t resist sharing these beautiful photos with you. The main is from the story about Angus McIntosh, a Sydney-sider now living in New York.

The story is by Aussie ex pat Caroline Clements (ex editor of Broadsheet). The photography was by Mr Bjorn Iooss and styling by Mr Mitchell Belk. The photo shoot was probably a lot of fun. We wish we had of been there!

For further details click through to Mr Porter. A very nice website for those with cash to flash.

 

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Illegal Logging Act, the facts

On 30 November 2014, the Illegal Logging Act law will come into effect. The Act, passed by the Department of Agriculture, Fisheries and Forestry, requires all importers of wood based products (including us) to formally declare their shipment does not contain any illegal wood fibre. In order for companies/people to make this legal declaration they must first undertake comprehensive due diligence on all the wood based products they import. Wood based products can be: newsprint, toilet paper, greeting cards, furniture, wood pulp, building materials and of course in our case, commercial printing paper.

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The due diligence process requires a detailed investigation into each product, the company who makes it, the tree species used, the country of origin and the overall risk associated with the contents of the product. Only after the criteria has been met and the product is considered low risk can the company then make this legal declaration and continue to import the wood based product.

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K.W.Doggett Fine Paper is currently undertaking this project and has now factored the due diligence process into our standard purchasing procedure. The benefits to you are that you can be sure that any wood based product you purchase within Australia has been subjected to the due diligence criteria and is almost certain to have not contributed to the world wide issue of illegal logging. Illegal logging continues to be a global problem and the best way to stop supply is to dry up demand. If illegal harvesters can’t sell the wood anywhere, then there’s no incentive to chop it down. Similar acts have been passed in the US, Canada and Europe and more countries/regions are set to follow.

For years, illegal logging has been degrading forests, reducing biodiversity and significantly contributing to greenhouse gas emissions. Most of this logged wood ends up in things like furniture or for local energy use. It’s not to say the paper industry hasn’t over the years contributed to deforestation but the reality is paper and climate change have been so closely linked for over 20 years now that it can be considered one of the world’s leading industries for environmental stewardship. The beauty of having the NGO’s shine their spotlight on our industry means that we have had to examine each and every process. Raw material, re-harvesting, energy consumption and recycling after use. We’re proud of where our industry sits now and K.W.Dogggett Fine Paper has an open book policy for anybody who wishes to review where our paper comes from and how it is made.

Summary of illegal logging:

  • Reassurance the paper you purchase is sourced from responsibly managed forests and/or third party certification programs like FSC or PEFC.
  • Information will be available regarding the country of origin the wood chips are sourced from.
  • A comprehensive list of the names of timber species used in each product.
  • Confidence in knowing you are helping to support and improve how the world’s forests are managed for future generations.

We don’t view sustainability as an environmental catch-cry, but rather as a way of doing business, which is why we source quality products that are of no compromise to sustainability. All of our paper is responsibly sourced and in fact, 96% bear the third party certification of either FSC or PEFC. Having this extra level of assurance with the Act being passed, will assist you with making even more confident paper choices.

If you want to know more about the Illegal Logging Act, visit www.daff.gov.au/illegallogging and you can subscribe for updates through this email: illegallogging@agriculture.gov.au

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International Print Day is on 8.10.14. Get involved!

Calling all printers and designers of Australia, it’s time to celebrate paper and print on a world stage. On 8 October 2014, share in the trans continental love using #IPD14 via any social media platform. If you’re not on the social scene yet, now could be a good time to start! You can share pictures, tips, hints, stories and more. Visit the dedicated FacebookTwitter and LinkedIn pages and learn more about the day here.

We recently (virtually) caught up with Deb Corn from PrintMediaCentr in the U-S-of-A, the lady behind the idea. If you haven’t discovered PrintMediaCentr yet, take a look. It’s a treasure trove of good stuff about printing. Deb introduced us to the wonderful Stephanie Gaddin from DolphinWorxs who is the local contact and we also spoke to Kellie Northwood from Two Sides Australia/VoPP who had this to say: “The Australian print industry has a lot of great stories to share and learn from. Our industry is an effective and powerful media channel and we can use events such as International Print Day to share knowledge, embrace different thinking and continue to challenge and grow our industry for the future.” We concur and good segueway.

Us: Where did the idea come from?
Deb: Like all great concepts this one evolved over time, had several iterations and input from many dedicated members of the print and integrated marketing community who join in my weekly #printchat on Twitter (we HIGHLY recommend getting involved with this even though it’s a 6am start. It’s a great beginning to the day!). The current format was my suggestion, but without everything that came before it, it wouldn’t have been possible to get here.

Stephanie’s Aussie spin: I was also part of these discussions. The response from printers the world over was instant and loud. I would be very sad to see Australia miss out on the positive drive that this will create in the local industry.

Us: What’s the purpose behind having it?
Deb: To provide a space where the global community can come together and learn from each other, without the barriers of location and time. Using #IPD14 for one day allows people and companies to share their knowledge, products and services under one banner, and people interested in that information to find it ALL in one place! And better still, the purpose (or the hopeful side-effect!) is that #IPD14 will trend on social media and attract the curiosity of those outside of the industry to take a peek at some of the really cool and amazing things we do and can do, connect with us and want to learn more.

Us: Why social media?
Deb: Social media seemed the best channel to deliver content since it has few limitations as far as sharing goes. Social allows participants to use paltforms they’re familiar with, and network and grow their connections where they are, versus where we want them to be. It’s also important to show all the print industry social media nay-sayers (yes, they are still out there!) that there is power in these platforms and they aren’t just used for sharing vacation photos and updates about family pets. With a little effort and relevant content you can literally reach the planet.

Stephanie’s Aussie spin: There is so much to be positive about, it’s not all doom and gloom! We should celebrate that and we should show the world what we’re proud of.

Us: Who can participate? What do you need to participate?
Deb: Everyone can. You just need a social platform and some time. I would imagine that Twitter, Facebook, LinkedIn, YouTube, G+ and Pinterest will be the most popular. Twitter in many ways will be the most important to achieve a documented world-wide trend, but #IPD14 used as a tag is searchable throughout the internet and within most of the social networks.

The concept is to attach #IPD14 to any and all information you share through social media related to print and integrated marketing on 8 October 2014. I encourage everyone to also add the tag to any relevant information they see in their streams and send it back out into the socialverse! Think of it as one big global game of TAG! And along those lines, the exponential possibilities are really huge… a post you create and share could be shared hundreds of times, in hundreds of cities across the planet – growing your reach and expanding your community along the way. Seems like a WIN for everyone!

Stephanie’s Aussie spin: Anyone can participate. More than anything else you need a positive attitude to participate so sooks and whingers, we give you permission to stay home for the day!

Us: What is a ‘social hot spot’ and what would be involved in being one?
Deb: In the spirit of community we are encouraging participants to have local meet-ups/tweet-ups, which is just another way of saying open your doors, invite your friends, customers and prospects to join in the fun. We want to help spread the word about those events and we will add them to our website.  Please contact us with your information so we can follow you and your event – and of course turn around and share it with everyone else!

Stephanie’s Aussie spin: We have a hot spot ie a regional social account in Australia @IntPrintdayAus which is followed by a small number of Aussie printers already. If anyone is interesting in being involved, like manning the decks on October 8, all the help we can get is welcomed with open arms. I am all about sharing! Also, DolphinWorxs is hosting an open webinar discussion all about print, your earliest memories of print and anything else that pops up during the chat. No registration necessary as soon as the meeting is scheduled in our webinar software we’ll post the meeting ID up. It’s an open event so please visit the website for more info.

That’s it folks. It’s a no brainer to get behind this one. You have nothing to lose and you can do it from the airport lounge, your bed or desktop. Too easy.

Marsha Golemac for Style Lab at life instyle.

We are so excited to feature the very radical Marsha Golemac, creative designer and paper artist extraordinaire! Marsha was recently asked to play host to Style Lab at life instyle Melbourne 2014 held at the Royal Exhibition Building. For those of you who don’t know, Style Lab is an interactive display showcasing the latest trends and design-led products. Each day, the host creates a new scene, made live each morning of the event.

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Way back when, Marsha spent many years working with the talented team at Kikki K, creating stationery and homewares before going freelance. She now teaches paper artistry at Megan Morton’sThe School‘ and works in all design realms from interior styling to photography. If that wasn’t cool enough, she has also collaborated with and created installations for fashion labels such as GormanIncu and life instyle exhibitors, Megan ParkKate & Kate and UASHMAMA. Does this woman ever sleep?

Marsha sure knows how to style, her show stopping scenes and bold styling choices are one-of-a-kind. life instyle shares: “Marsha’s work can only be described as infectiously inspiring, fresh and unique.” We had the pleasure of donating Grange Offset for the paper art used in her scenes and how good is this, once Style Lab was finished, Marsha returned the paper and we re-purposed it to make notepads for our factory outlet Pedigree. If any of you find yourselves with left over stock, feel free to bring it back and we will put it to good use.

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